[NOTE: This is a recap of the original, theatrical cut of Fantastic Four. There's a two-disc extended version out now on DVD, with an additional 20 minutes (20 minutes!) of footage. I won't be buying it, but you're more than welcome to get the extended edition from Amazon and post all about the added footage in the comments thread!]
This weekend is the big premiere of Rise of the Silver Surfer, the sequel to 2005's Fantastic Four. And I just now realized that I never gave my take on the original film. It's something I meant to do sooner, considering this site's big Mega Recap (formerly known as a Mega Review) of the unreleased 1993 version of The Fantastic Four, which was posted just in time to cash in on coincide with the release of 20th Century Fox's big budget version.
Since there's not enough time to do a proper recap of the 2005 version, and because the movie doesn't really warrant that kind of deep analysis anyway, I'm going to attempt something a little different this time. Later in this recap, I'm going to present the entire film to you entirely through screencaps and captions. Yes, this is a Screencap Recap, and while I wish I could take credit for inventing this kind of recap, it's been all over the ol' blog-o-sphere for some time now. But hopefully, the people who saw the movie can use this as a refresher, and those who didn't will get a good idea of what it's like to endure this film.
The recap continues after this advertisement...
Okay, I guess "endure" is kind of a strong word. The movie is actually a stunning display of mediocrity. Despite that fact, and despite all the mixed reviews, Fantastic Four raked in the cash: $56 million in its opening weekend, and an eventual US box office haul of $154 million. Add in the worldwide receipts, and a sequel was pretty much a foregone conclusion. Which is a good thing, too, because the whole movie feels like nothing but a setup for a sequel.
I can almost excuse this. Almost. After all, it's pretty tough to tell the origin story of one superhero in less than two hours, let alone four of them. If Rise of the Silver Surfer turns out to be good, maybe this film will look justified in retrospect (but with a nonsensical title like Rise of the Silver Surfer, does anyone really expect it to be any good?).
The first movie's big flaw, as noted by many critics, is that this is the most blasé superhero team ever. At no time to do they display any signs of wonder, fear, or awe at their new powers. The whole thing feels like a big, jokey superhero sitcom, with the team using their powers to get out of—and into—a variety of comical slapstick mishaps. It's like Superhero Movie Lite: nothing is at stake, there's no massive destruction going on, and the primary villain has no designs on world domination—all he wants to do is take out the Fantastic Four purely out of petty jealousy.
Even worse, the Four spend almost the entire film mostly cleaning up after their own mistakes. No joke. Every time they spring into action, it's a direct result of one of them doing something dumb. Didn't this seem like a bad, bad idea to anyone? We watch superhero movies to see the heroes being heroic, not bungling things so badly that they cause massive injuries and property damage, if not outright deaths. They should be saving the day, not covering their own asses.
No one turns in a noteworthy performance. Ioan Gruffudd is a non-entity as Reed Richards. Chris Evans is just plain annoying as the Human Torch. Julian McMahon doesn't have anything approaching the screen presence needed to play Doctor Doom. Michael Chiklis plays the Thing, and after six seasons of playing police officer Vic Mackey, the most complicated character on TV, I have nothing but love for Chiklis. And when he puts on the Thing makeup, and they alter his voice in post, he's great. But when he's out of the makeup, all I see is Vic Mackey in Space. Ben Grimm in the comics has a more colloquial way of talking, and Chiklis doesn't even attempt that speech pattern. Which I found odd, especially when in the special features he admits to being a huge fan of the Thing when he was a kid.
And I already remarked on the casting of Jessica Alba in the Mega Recap, and the point still stands: her presence is a quintessential example of Movie by Committee. There are probably a thousand actresses who could have played the part better, are more talented, and who more closely resemble the Sue Storm of the comics. But because Alba is hot, and especially hot amongst the comic book geek fanbase, she got the role.
The whole movie feels like that: You can almost sense the writers sweating like crazy, trying to figure out how much of the comic book they could safely toss out without pissing off the hardcore fans. It's my understanding that this movie is based more on the Ultimate Fantastic Four version of the group, and from my limited knowledge of that comic, the movie mostly stays true to its source.
(The immediate question becomes, why not base the movie on the original version that premiered in 1961? You know, the one most people are familiar with? But comic adaptations have a long and storied history of adapting only what's currently going on in the comics. Back in the 1970s, Wonder Woman was going through all sorts of revamps, including a long stretch where she had no powers at all. The 1974 TV movie version of Wonder Woman, starring Cathy Lee Crosby, also made her powerless, confusing the crap out of everyone and making the studio start all over again with the Lynda Carter version.)
Faithful it may be, but "faithful" does not automatically equal "good". Let me put it to you this way: The Hulk Dogs seen in Ang Lee's film actually came from the comics. Need another example? Here you go: 2005's Fantastic Four.
| The Fantastic Four: a Screencap Recap! |
| Since times a-wasting here (the movie's only 105 minutes!), they immediately clue us into the extreme evilness of Victor Von Doom, vis-à-vis workmen building a creepy statue of him. Actually, I'm just assuming it's Victor, even though it looks absolutely nothing like Julian McMahon. To my eyes it looks like the Michael Jackson Robot from Moonwalker. So... creepiness accomplished. Well played, movie. |
| Reed Richards (Ioan Gruffudd) and Ben Grimm (Michael Chiklis) stare up at the statue with contemptuous contempt. Stop me if they're going too fast for you. |
| Reed and Ben are here to pitch an idea for a space mission to Victor Von Doom. Naturally, Reed uses an elaborate, three-dimensional, completely pointless holographic system to give his presentation. I guess somebody is too good for Powerpoint. |
| Reed explains to Victor that a cosmic storm is approaching the earth, and it holds the key to unlocking the human genome. You can't make any sense out of this, so don't even try. Okay, fine. Try if you want, but when your head explodes, don't come crying to me. |
| I guess Victor and Reed already have some animosity going, because Victor needles Reed by reminding him of his recent bankruptcy. Hey, what better time to go into outer space? That's one way to get those creditors off your ass. Unfortunately, this is our first indication that Reed is incompetent. |
| At last, Victor Von Doom (Julian McMahon) steps out of the shadows. And I see they followed the lead of Craig T. Nelson and his history-making star turn in Action Jackson, by darkening McMahon's eyebrows to make him look more evil. Wait... what do you mean those are his real eyebrows? |
| Enter Susan Storm, brilliant geneticist. For all I know, Jessica Alba deserved an Oscar for Honey, but based solely on this movie, she cannot act, at all. If Sue were a mute, Alba could have pulled it off, because she does that thing with her eyes that's just adorable. But sadly, they've given her actual words and sentences to deliver. Thankfully, they didn't make her spew any hardcore technobabble, narrowly escaping having another Christmas Jones on their hands. |
| I really have to give props to the two caterpillars that gave their lives to decorate Julian McMahon's forehead. That's some serious dedication right there. |
| Blah blah blah. Victor to Reed: "Boom I got your girlfriend!" And so on. |
| And then there's Johnny Storm. He's supposed to be exxxxxtreme, so—you guessed it—he gets the Armageddon introduction. Actually, Michael Bay never attempted anything this ridiculous (which says a lot): Johnny's cruising to the spaceship launch site on his motorcycle, and he rides up alongside a hot chick in a car, and starts making out with her as they both speed along. If this isn't the most retarded thing ever, it's pretty close. |
| Ten minutes later, everybody's up in space. Reed, Johnny, Ben, Sue, and Victor pull up at Victor's cozy little space-based bed and breakfast. |
| The only way Mackey could really escape all the IAD investigations. |
| Reed learns that the cosmic storm he thought was days away is oh, about nine minutes away (no exaggeration on that, folks). Accordingly, he completely spazzes out. By the way, we never find out why the storm arrived early, so all this provides is further evidence of Reed's incompetence. |
| The cosmic storm hits, causing them all to enter the Matrix, or something. As you might have guessed, this is the exact moment where they all get creepy powers, but they have a few pointless scenes to get through before they find out. |
| They all wake up in Victor's private hospital, which I'm guessing is in Latveria, judging by the surrounding mountains and forests. We get a scene from Ben's POV, trying to fake us out into thinking he's already changed into the Thing. Actually, I think Chiklis was terrified he might have gone back to how he looked on The Commish. |
| Playing the part of the nurse taking care of Johnny is... Maria Menounos? That tells you everything you need to know about this film right there, doesn't it? The movie was really lacking in gravitas, so they had to bring in some of that famed Menounos acting muscle. |
| Weirdly, the fact that Johnny has an internal body temperature of 209 degrees [!] causes his nurse no consternation whatsoever. Good thing, too. I'd hate to see Menounos try to pull off "consternation". |
| This brings us to the asinine snowboarding scene. Johnny, still just as exxxxxxtreme as ever, actually checks himself out of the hospital so he can go hit the slopes. And Nurse Menounos goes with him. Now I know why they call it "socialized medicine" over there. |
| While snowboarding, Johnny partially "flames on". He is just that extreme, dude! (And yes, there is the obvious "you're on fire" joke here. Kill me, please.) |
| Johnny fully flames on, flies off a cliff, and crashes into a snowy embankment. Cut to him naked in a glacier. Nurse Menounos, again seeing nothing abnormal about this, drops her ski gear, with the clear implication that they're about to get freaky in the makeshift hot tub. Do you think she'll notice that burning sensation in her genitals, or is that an everyday thing for her? |