The movie does take place in 2021; it’s not too late to start making jump suits and boots a thing. And plastic plaid jackets. Can’t forget those.
When we last left Bill and Clementine, Lithuania suffered a major setback in their plot to annex the Moon, but it left the Moon Bug shot to hell. Bill opted to use the “bugdozer” instead, but it only has enough charge for a 150-mile trip, and it’s 200 miles to Farside Five. Fortunately, the bugdozer is built to go over mountains, so it’s time to find a shortcut. The pair head out...
So it turns out that modern firearms can fire in a vacuum; gunpowder contains its own oxidizer, so it doesn’t require an atmosphere. Special thanks to reader Greenhornet for the info, and for not making fun of my ignorance; class is always appreciated. Of course, that means ditching 500 words of guns-not-being-able-to-fire-in-a-vacuum jokes...
Moon Zero Two comes in for a landing outside Farside Five. Oh man, I’m sooooo looking forward to this. I hope Farside Five has lots of strips with dogs, those are the funniest.
Cecil thinks Moon is one of the greatest movies ever made.
“I’d say the powers that be are trying to collectively piss off an entire region of planet Earth, but I get the feeling everybody gets offended equally here, and it’s just Latin America’s turn.”
“Men’s-only locker room, casual misogyny when it comes to humor, assumptions that women are only interested in material goods. Glad to see the future hasn’t changed, 1969.”
“Honestly, after the opening credits, I was expecting a lot less subtlety both in plot and visuals, like everyone would be walking around wearing aluminum cowboy hats or something.”
QVC Hosts Unsure If the Moon Is a Star Or a Planet
“There’s so much downtime between events that it takes an eternity to get to the action we’re supposed to be getting immersed in.”
“After an intriguing and bleak opening, the movie nearly turns into the rejected sitcom pilot My Two Sam Rockwells, with the clones having odd couple-type roommate conflicts.”
The Cinema Slob checks out what has luckily turned out not to be the final movie in the extraordinary Michael Bay four-part Transformers trilogy. Watch as the Slob learns about the moon landing, ponders the evil-ness of goatees, sees his beloved home town get blown to hell, and reenacts clips too awesome to actually include in the review!
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
“The only way I can explain the following scenes is that someone sat back and thought to themselves, ‘You know what this film is missing, aside from a coherent plot, convincing threat, steady tone and Megatron? Dick jokes and gay jokes. That’s what we need!’”
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