Is SyFy’s “Dark Matters” worth binging on Netflix? No one seems to have tossed a lot of money at making this show, but the creators and cast have certainly made the most of what little they’ve got.
“A satire of comic books seems like a surefire concept, and they’ve assembled a great cast here, but unfortunately the script and the direction rob them of all their comedic powers.”
One of the most notorious movies of the ’90s is still one of the most fun films of the time.
“By the time we get to Elijah Wood with all his limbs chopped off being eaten alive by a wolf, it’s just tiresome.”
“I’m guessing concession sales suffered a bit during the theatrical run of this movie.”
“So noticing that its successor 300: Rise of an Empire has actually attempted to be a story about something deeper, with multiple layers, symbolism, and themes, I’m at a loss to decide whether or not that’s actually a good thing.”
Solkir explains what he’s been up to for the past few months, and then discusses Mystery Men, based on a comic book you’ve never heard of, starring Ben Stiller, Hank Azaria, William H. Macy, and Janeane Garofalo as a team of second-rate superheroes with mostly useless powers.
It’s the debut of the Graphic Novel Picture Show, where your host Solkir presents a retrospective of the history of comic book movies! In this episode, he looks at Jim Carrey and Cameron Diaz
in the 1994 adaptation of the Dark Horse comic The Mask, about a guy who puts on the Mask of Loki and gains the ability to alter reality, and discusses how the movie measures up to its source material.
Ron Perlman is a young demon summoned from hell during WWII to be a secret Axis weapon, but instead gets captured by American forces to use his powers for good. When Nazis return sixty years later, Hellboy and his elite super-powered defense team are humanity’s only hope!
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“So here we have a complex theme, a half-hearted performer, a hit-or-miss director, and a ton of money blown on special effects without regards to telling a logical story. What could go wrong?”
“‘We’ll always have Seattle’ doesn’t quite have the same ring to it, does it?”
“‘We’ll always have Seattle’ doesn’t quite have the same ring to it, does it?”
“‘We’ll always have Seattle’ doesn’t quite have the same ring to it, does it?”
“‘We’ll always have Seattle’ doesn’t quite have the same ring to it, does it?”
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