“If the source novel didn’t start out as Twilight fanfic, I’ll drop dead of shock.”
In his 50th review, Joey receives a divine request to look at Delgo, which was considered for the longest time to be the biggest CG turkey of all time!
“Because every screenwriter knows that if you can’t give your protagonist a personality, you can always give him a destiny.”
This episode, the Cinema Slob gets enchanted by Nicolas Cage and Jay Baruchel in The Sorcerer's Apprentice. Find out what the Slob thinks of Disney's modern take on the classic Fantasia short!
It's finally here! Mendo's long awaited Requested Review of The Sword and the Sorcerer!
In his Agony Booth debut, Il Neige takes a look at the fantasy adventure Eragon, a film based on a book written by a kid, for kids. It's the Kidz Bop of Fantasy Literature!
Nicolas Cage is the sorcerer and Jay Baruchel is the apprentice in a feature-length adaptation of that one segment from Fantasia. Watch as Disney screws up a franchise based on something that only lasts a few minutes. That never always happens!
The Slob continues his M. Night Before Christmas review spectacular with his look at 2010's The Last Airbender!
Joey finds out if this is really Disney's worst animated film! With a reputation of being made when Disney was at its lowest point, The Black Cauldron is a fantasy adventure with obnoxious characters, cop-out endings, and archetypes we've seen done to death.
The movie is filled with over the top acting, silly dialogue, CGI dragon battles, and Marlon Wayans. It's often considered one of the worst movies ever made, but Cecil thinks it's nothing but awesome.
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
“His approach is cut short as he sees the reason a swarm of Orcs hasn’t gotten around to curb-stomping him into oblivion: they’re all dead. Naturally, we get a monologue explaining this, and I think even the five year olds watching at this point are probably going, ‘Move it along, goddammit, I got shit to do today!’”
Unfortunately, Suzie's been sentenced to watch the 1987 live-action Masters of the Universe movie, starring Dolph Lundgren, Courteney Cox, Principal Strickland, Tom Paris, and Richard Nixon as Skeletor. Enjoy!
Joey brings us the first installment in a special series called Crossing the Line, where he examines live action movies based on cartoons. First up is M. Night Shyamalan's take on the popular Nicktoon Avatar: The Last Airbender. Here's the twist: It sucks!
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