“Last summer saw the release of the big budget adaptation of the ‘80s cheese ball television classic The A-Team. Given the rather underwhelming reception it received at the box office, I think we can safely say there won’t be a sequel, so this is as good a time as any to examine what the filmmakers got right and what they got wrong.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
“The worst M. Night Shyamalan movie yet. And damn, is that saying something.”
By special request of the Agony Booth, Richard is kicking off a new series-within-the-series titled “The Special Relationship”, wherein he looks at American movie remakes that don’t quite live up to their British source material, starting with a comparison of the ‘60s British series The Avengers, and the Razzie-winning 1998 American remake starring Ralph Fiennes, Uma Thurman, and Sean Connery!
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
"A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed."
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