Movie Duel: Snow White and the Huntsman vs. Mirror Mirror

It often happens that Hollywood will release two movies within months of each other that have seemingly identical premises. Have you ever seen this happen and wondered, “Did there really need to be two of these?” Us too! Hence our new feature Movie Duels, in which we watch these two dueling movies and offer our eminently qualified opinion of which film, if any, has a reason for existing, and which one should have been left back at the pitch meeting.

For our first installment, we’re going after two “new takes” on the Snow White legend from the fairytale boom we suffered through several years ago: Snow White and the Huntsman and Mirror Mirror. Let’s see what we find.

The article continues after these advertisements...

“You’re Not My Real Mommy!”

Because the reinterpretation of classically villainous characters is “in” right now, both Huntsman and Mirror Mirror hang their hats on a revised take on Snow White’s evil stepmother, trying to make her into a more three-dimensional, sympathetic character. Both films are more interested in the idea than the execution, but they err in different ways.

The evil stepmother in Mirror Mirror, Clementianna, is played by Julia Roberts, in an inspired bit of meta-casting that would have worked excellently if Roberts had done her portion of the heavy lifting. The creative team behind Mirror Mirror obviously wanted Roberts to make comedic hay of her public perception as a conceited, frivolous diva. Unfortunately, Julia Roberts is, in fact, every bit the snot that people think she is. She tries, but she lacks the will to jab hard enough at herself to make Clementianna either as funny or as menacing as the script needs her to be. Have you ever seen somebody at an office party toothlessly try to roast their self-important, humorless boss? That’s essentially what Julia Roberts is doing to herself.

Charlize Theron deserves credit for having a more expansive vision for Ravenna, Huntsman’s evil stepmother, but she was sadly shoved into the corner by uncreative screenwriters. Her motivations read like the procrastinatory scribblings of someone who skimmed a Wikipedia article about the male gaze. She hates men for tossing away women when they lose their looks, and gets back at them by using her magic to seduce, kill, and usurp the king with the help of an enchantment that protects her from harm so long as she holds onto her beauty (which she periodically replenishes by de-mentoring the youth out of the kingdom’s pretty young women). It’s thematically confused, to say the least, and Theron, ever the pro, lampshades her character’s ambiguity by cranking up her Villainess Rage past the red line, mercifully supplying some quantum of emotional resonance in this monotonous porridge of a movie.

Surprisingly, not the silliest crown Charlize has ever worn.

This Is No Fairy Tale World

Visually, Snow White and the Huntsman and Mirror Mirror occupy diametrically opposed positions on the aesthetic spectrum. Huntsman falls into the same trap as other fairytale re-imaginings like Jack the Giant Killer and Hansel and Gretel: Witch Hunters: its world comes wholesale out of a Grimdark-Fantasy-Universe-In-A-Box from Target. The color-scheme is a suicide-watch smörgåsbord of washed-out grays and muddy browns with nary a primary color to be found. No one but the queen gets to wear anything but colorless rags. Drab, bleak, and un-fun are the watchwords.

By welcome contrast, Mirror Mirror offers up an aggressively whimsical visual universe straight out of the Robitussin hallucination of a thirty-something Pinterest addict who thought the movie version of Into the Woods was too understated. Everything is bright, colorful, clean, and festooned with lace and curlicues. There’s breathtakingly elaborate costume and set design. The impoverished villagers are cleaner, better groomed, and better dressed than most of the nobles in Huntsman. And it works! The visual palette is Mirror Mirror’s one unqualified triumph and likely the reason it was even made.

“What is this, a funeral home? Liven it up in here!” —Donald Trump

The Fair-lookingest of them All

I really hate Kristen Stewart. Not exactly a controversial opinion, but god damn, I’ve seen people downloading graphics card drivers who look more engaged than she does in Snow White and the Huntsman. She’s got the glassy, bovine stare and permanently slack mouth of a habitual wake ‘n’ baker (which I’d probably become too, if I had to forget I was appearing in this turd-wich). Her lack of presence wouldn’t be as big a problem had the screenwriters not invested her character with ridiculously contrived messianic overtones (animals genuflect to her, and her presence literally heals wounds). She doesn’t have the charisma needed to lead a fat dude to Five Guys, yet Huntsman wants us to believe she’s the only one who can rally the forces of good and take back the kingdom from the evil witch.


Mirror Mirror’s Snow White, Lily Collins, has both more talent and less strain put upon it. Not only does she not stretch the limits of disbelief as “the fairest of them all”, but her performance hits a good mix of character traits from both ancient and modern fairy tales: she’s idealistic but not naïve, untraveled but not lacking in practical savvy, good but not goody-goody. And I really like the fact that, unlike Kristen Stewart, she doesn’t seem perpetually confused as to where she’s supposed to be looking.

Make it Modern!

“Fairy tales were originally bleak and dark before they got all Disney-fied; Huntsman is just being true to tradition,” is an argument you may hear from complete fucking idiots. Yes, fairy tales are traditionally dark. You know what else they are, traditionally? Intimate. Restrained. Internally consistent, at least as far as fairytale logic goes. This is why so many fairytale movies suck: they try to impose modern Hollywood epic-fantasy conventions on stories that absolutely cannot accommodate them. Huntsman is no different. There’s no such thing as an antihero with a tortured past in a fairy tale. There aren’t supposed to be any huge sieges or climactic boss battles. And in Huntsman, these things come at the expense of things we expect out of fairy tales, like whimsy, wonder, and comic relief. There’s no reason you can’t have both in the same movie, but Huntsman is not that movie.

Mirror Mirror swings in the other direction. It’s not interested in reinventing the Snow White legend for the sensibilities of modern film. Instead, it wants to hit the main story beats with a sort of detached, self-aware (but not necessarily satirical) sense of irony. Everyone’s goofy and over-the-top; everyone’s got a one-liner for every occasion. It’s not put together particularly well, but it’s lighthearted and breezy and won’t make you regret how you spent your afternoon.

Which One Needs To Exist?

Mirror Mirror. It’s pretty far from perfect, but in a sea of grubby, dark, tiresomely epic fairy tale adaptations, it stands out with its willingness to lighten the fuck up and have some fun.

Tag: Movie Duels

You may also like...

  • ussafs3

    Kristen Stewart is just a bad actress. She ls like an anti-screen presence. What little of the “Twilight” saga I have been subjected to she just sucks everything into the black hole that is her character. Sometimes when you watch a movie the suspension of disbelief is impossible, and every time she appeared onscreen I thought out loud “what the hell do any of them see in her?”

    • Sean Tadsen

      I think Kristen Stewart’s problem is the same one Zooey Deschanel has – it’s not that she’s bad, just that she’s only good in a certain kind of role. Anything else, and she just doesn’t work.

      • Thomas Stockel

        What role do you think Kristen Stewart is suited for? My guess is midnight cashier at a 7-11.

        • Tyler Peterson

          Well, FWIW she won a Cesar for Clouds of Sils Maria. Didn’t see it, can’t vouch for her performance. But I saw her in the movie Speak and I encountered the same phenomenon that I did watching January Jones on Mad Men- y’know, where she’s all blank and robotic, but her character’s supposed to be utterly beaten down, jaded, and emotionally dead, so she might actually be brilliant but you can’t know for sure.

  • maarvarq

    “This is why so many fairytale movies suck: they try to impose modern Hollywood epic-fantasy conventions on stories that absolutely cannot accommodate them.”
    If there is a movie that is the worse offender in this way that Tim Burton’s abortive Alice in Wonderland (no, I am never going anywhere near the sequel) then I don’t want to see it.

    • Tyler Peterson

      Glad you mentioned Alice in Wonderland; it is a prime example of what I was talking about. Of particular note: probably my least favorite of these shoehorned-in trendy story elements (as I mentioned in my article) is the insistence on making the protagonist in every fantasy movie a prophesied messiah figure. Not every movie needs a Chosen One/Kwisatz Haderach/Ringbearer to bring balance to the Force or whatever. It was a jarringly tone-deaf addition to Alice in Wonderland (a movie based on an unrepentantly absurd and un-serious story), and doesn’t fare much better here.

      • maarvarq

        “the insistence on making the protagonist in every fantasy movie a prophesied messiah figure”
        Oh hell yes. I was vaguely interested in the 2015 Pan movie until I saw a trailer where Peter was described as the Chosen One (or whatever equivalent term was actually used) then I went instantly to “Not a chance” – I dodged a bullet there apparently.

  • I’m assuming we’ll be looking forward to some of the following duels in the future:

    A Bug’s Life vs. Antz
    White House Down vs. Olympus Has Fallen
    Friends With Benefits vs. No Strings Attached
    Deep Impact vs. Armageddon

    • Jesse J. Barboza

      Observe and Report vs. Paul Blart: Mall Cop
      Dolphin Tale vs. Big Miracle
      Finding Nemo vs. Shark Tale
      Volcano vs. Dante’s Peak

      This series could theoretically last forever.

    • Those comparisons seem more fair. All of those couplings have similar tones. “Mirror Mirror” and “Snow White and the Huntsman” are so tonally at odds with one another it seems unfair to compare them even if they start from “Snow White” they pretty obviously were not interested in being compared to each other on the same terms.

      • Tyler Peterson

        That’s a fair point (though I would argue that Deep Impact and Armageddon are almost as tonally distinct as the two movies I wrote about), but how fine are you gonna split that hair? Furthermore, a large part of this column is examining whether there really needs to be two of these movies, and if they’re able to make two tonally and otherwise distinct movies with the same premise, that’s a check mark in the “yes” column.

    • Mike Smith

      How about these:

      Casino Royale (1967 version) vs. You Only Live Twice
      Octopussy vs. Never Say Never Again
      Chasing Liberty vs. First Daughter
      Norm of the North vs. Kung Fu Panda 3

  • Andrew Buckles

    I believe I always err on the side of a movie that ends in a bollywood style dance number.

  • Wizkamridr

    But according to this article from 2015, Stewart is a brilliant actress. If you disagree, you’re just jealous. Disclaimer: I don’t agree with anything that was said in the article.

  • The_Shadow_Knows

    My wife and I see a lot of movies in the theater. We probably saw 6-8 movies that included trailers for Snow White and the Huntsman. Every single time the gorgeous Charlize Theron said, “Mirror mirror on the wall, who is the fairest of them all?” and the trailer cut to Kristen Stewart’s idiotic fish face, the entire theater filled with nasty, incredulous laughter. This happened EVERY time.