Apparently readers in the ’40s had a real taste for cruel and ironic mutilation.
Author: Henrik Magnusson
So I’ve talked before about DC screwing around with their classic characters by throwing them into new settings that range from “plausible” to “this writer is clearly having a nervous breakdown, please get them...
The villains they fought weren’t exactly historically accurate, unless you believe that Wolfenstein 3D was a documentary.
Inspiration ended with the archer concept, because the rest of the character looked like he had gotten all his gear from Batman’s yard sale.
What followed was basically Girls with superpowers.
It’s still a more satisfying fight than anything Floyd Mayweather is in.
Cashing in on the blaxploitation fad by tossing a street-smart, jive-talking superhero up against the usual mix of comic book villains, which at the time were mostly campy, color-blind disco rejects.
With Spider-Man: Homecoming officially in the books as both a critical and financial hit (over $700 million globally), we all know what that means! Okay, yes, a sequel that’s going to suck and make...
DC had a treasure trove of nonsensical Silver Age garbage that was just waiting to be spun into grimdark gold.
The problem with the character was that the writers had apparently never seen a Latino person outside a Death Wish movie.
Suddenly, New York was full of unemployed ninjas without the life skills to switch to a less stabby career.
Batman barely made an effort to catch this guy, presumably thinking it was all some sort of Make-A-Wish thing for a terminally stupid patient.
What you need to do is dig into the archives and pull out one of those disposable alternate universes you guys used to have. The unique and creative ones, not the ones which were just a way for Superman to bone both Lois Lane and Lana Lang.
Back when they started out, superhero comics didn’t care all that much about keeping track of who did what, mainly because it was the 1940s, they were printed on the cheapest possible material (which...
“It’s alright to cry. I know you miss the touch of your incestuous man-child husband.”
DC struck gold with the whole “psycho killers on a leash” formula. Or so you’d think, but not every recruit of the Squad was the kind you’re going to see on the big screen.
Ah yes, the sidekick: one of the most enduring concepts in superhero fiction. Dating back to the earliest days of the medium, the sidekick typically serves as a valuable backup for the hero himself...
These are villains who, for one reason or another, thought it’d be a good idea to antagonize a superpowered vigilante when at best they should be shaking down lemonade stands for protection money.
Sometimes it seems like Jor-El sent his son to Earth because he foresaw what a rancid sack of dicks he was going to turn into.
For Spidey, the 1960s were a never-ending parade of humiliation that helped shape Peter Parker into the rancid swamp of self-loathing and textbook school shooter personality that has made him one of Marvel’s most identifiable heroes.