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An American Werewolf in Paris (1997)
on Tuesday, November 27, 2012
Phil reviews the unbelievably awful An American Werewolf in Paris, the sequel to the John Landis horror classic An American Werewolf in London, and the poster child for sequels that completely miss what made the original great.
A Good Day to Die Hard (2013)
“I like a good mindless action film as much as the next guy (lord knows I’ve written about enough of them in the past), but I also like to have a little something to chew on as well.”The Twilight Saga: New Moon (2009)
“My prediction at the end of my Twilight recap was correct: This movie did indeed suck harder than its predecessor. In fact, it sucked so hard that it made me wonder why I ever liked the first one to begin with.”Return to Oz (1985)
“Can’t say I really blame Aunt Em for wanting to strap Dorothy up to the electroshock machine. WTF kind of stuff is she telling people? Can’t Dorothy just tell them about the cute stuff, like the Lollipop Guild or whatever? I think if she had focused more on the non-creepy aspects of Oz, Aunt Em would be praising her for her creativity and imagination, not sending her off to Dr. Shocker, erm, Worley.”Will the new Dracula suck?
“As long as it’s not Twilight, it’s hard to mess up vampires, right? Well... don’t count on that.”The Concorde... Airport '79 (1979)
"What does it say about your movie when it could be improved by adding more Charo?"An American Werewolf in London (1981)
In this episode, we take a look at the classic '80s horror/comedy An American Werewolf in London, directed by John Landis. We'll look at the Landis's inspirations and what effect the film had on his future directing career, including Michael Jackson's "Thriller". We'll also look at the Oscar-winning makeup effects by Rick Baker, and why they make the film so unforgettable.
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