Tom is back to take more questions from the public about Spider-Man 3, and explain why he thinks it's an awesome movie, with great action scenes and great villains! Yes, even Venom. 

Solkir presents his own abridged version of Spawn, the movie version of the Image Comics character that personified the dark/edgy superhero aesthetic of the '90s. A military assassin is murdered by Martin Sheen and sent to hell, but makes a deal with the devil to come back as a powerful "Hellspawn". But no hell could possibly be worse than this movie's piss-poor CGI.

Solkir reviews one of the stupidest superhero movies ever made, Batman & Robin. But instead of screaming for twenty minutes about the terrible puns, he attempts to analyze this film in a more logical, detached way, and discovers... it's still horrible.

So by now, most of you probably have had a chance to see Iron Man 3. Which is good, because I don’t want to just beat around the bush for four paragraphs and end up saying little more than “it’s really good, but I can’t be too specific on why”.

Tom struggles to find positive things to say about Blade: Trinity, the third installment in the vampire hunter franchise starring Wesley Snipes, Jessica Biel, and Ryan Reynolds. He delves into the making of the film, its two alternate endings, and answers more questions from the public!

In this monumental episode, the DVD Shelf celebrates the lighter side of the Dark Knight by delving deep into the 1966 Batman movie starring Adam West and Burt Ward, including lots of insight into the classic TV series and the dire state of comic books at the time. Also, David reveals additional DVD titles that no '60s Bat-fan should be without!

We know what you're thinking: Superman: The Movie has a great cast, an iconic score, and awesome special effects. Isn't this movie too good to make fun of, and obsessively nitpick over? To that we say: Welcome to the Agony Booth! Is this your first time here?

It's the debut of the Graphic Novel Picture Show, where your host Solkir presents a retrospective of the history of comic book movies! In this episode, he looks at Jim Carrey and Cameron Diaz in the 1994 adaptation of the Dark Horse comic The Mask, about a guy who puts on the Mask of Loki and gains the ability to alter reality, and discusses how the movie measures up to its source material.

Sofie got lucky, because a certain big blockbuster was released a little bit earlier in Denmark: Namely, the long anticipated Marvel film Iron Man 3, which marks the end of a trilogy... for now.

This episode, Sofie is joined by Joey Tedesco to discuss a show they both hate with a passion: the 2012 animated series Ultimate Spider-Man, which has nothing to do with Marvel's line of Ultimate comics, or its regular comics, or anything Spider-Man related for that matter.

“Swamp Thing is quite simply the best damn movie about a swamp creature fighting a sort of fake-looking wild boar/gator hybrid that used to be a French guy while Adrienne Barbeau and her cleavage watch anxiously.”

Starring Jeffrey Dean Morgan, Chris Evans, and Zoe Saldana, The Losers is about a military unit framed for a crime they didn't commit, and their mission to take down the man who set them up. Be a winner, and watch this review of The Losers!

He is Loki of Asgard, and he is burdened with a purpose so glorious that it supersedes showering. Ursa takes a look at the Internet's favorite demigod bad boy.

Oh, Clint, you so sassy. In this episode, Ursa chats about some aspects of Hawkeye's character in The Avengers, and then gets overexcited by the Hawkeye Initiative, and its sterling efforts in highlighting the ridiculousness of female poses in comics. Good job there, Agent Barton!

Dr. O'Boogie intrudes on Sofie's territory with his own review of the Wonder Woman pilot! No, not the one with Lynda Carter, or the one with Adrianne Palicki—this was the very first attempt to bring the Amazon Princess to life, starring future That's Incredible host Cathy Lee Crosby as a blonde Wonder Woman with a lame costume and no powers, unless you count her amazing ability to always be on the phone.