Black superhero movies, ranked
It’s the eve of the release of Marvel’s Black Panther, widely expected to break multiple box office records, not the least of which being the biggest superhero film of all time starring a black...
It’s the eve of the release of Marvel’s Black Panther, widely expected to break multiple box office records, not the least of which being the biggest superhero film of all time starring a black...
December is the time of the year that brings yule tidings, whatever the hell those are, along with the studio’s most family-friendliest blockbusters and their most Oscar-batiest of awards contenders. The release of another Star Wars film is imminent and looms large over this month’s releases, but there are still plenty of other films vying for your hard-earned ticket dollars this December.
Maybe I’m being too generous, but I think in light of the context that Suicide Squad was made in, it did the best it could with what it had, but really, it was capable of so much more.
“But it is kind of sad that, even in an Elseworlds title, Bruce Wayne will always have WASP features when, in many ways, Batman would make a lot of sense as a black man.”
“Could Anchorman 2 be the end of Will Ferrell’s over-hyped career? In a nutshell: yes. Or, at least, it should be.”
“I’m not sure that’s how evolution works, though it’s disheartening to see that Shyamalan thought so much of his silly ‘plants killing humans’ premise of The Happening that he reuses it here.”
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After Earth is easily the first film Shyamalan has made in more than a decade that genuinely works. And yet, the response has been overwhelmingly negative thus far.
The Blockbuster Chick joins the site with a review of the 1999 dud based on the ’60s TV show, starring Will Smith and Kevin Kline as two 1860s government agents brought together by the president to foil a diabolical plot by a legless Kenneth Branagh.
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
“A script so busy and compacted that it creates a thick and odorous density of idiocy, poisoning every minute of celluloid with a detail or two that insults the viewer long after the moment has passed.”
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