“Thanks a lot, Skidoo. One day, I’m going to flash back to this scene, something in my brain will snap, and I’ll kill a busload of kids.”
“Caine’s just surfing the deferential equation slopes, broham!”
“Remember when they performed their show at the Chez Casablanca and all the tourists loved it? We were all so much younger then.”
“I know so much about this movie, it’s painful.”
“Was this dialogue written by humans?”
“Gods and Monsters is explicitly a ‘what if?’ story, made by someone who loves these characters and wants to play around with them a little.”
“It’s amazing how the hippies in this movie make being a ‘square’ seem like a hell of a lot more fun.”
“While it may not be based on an existing property, there’s nothing the slightest bit ‘original’ about this movie’s plot.”
“I got a feeling something went really wrong, and Ishtar got made.”
“I bet Jackie Gleason wished the real God had summoned him before he could make this movie.”
“It feels like there’s no reason for this movie to have even been made, apart from the first film becoming a cult hit, and comic book adaptations now being even bigger business than they were in 2005.”
“Holy crap, $50 million and Coke couldn’t even get their own product plugged in this movie? No wonder they sold off the studio.”
“This film has an even more misleading title than Friday the 13th Part VIII: Jason Takes Manhattan.”
“At less than a minute in, this movie’s plot has ground to a halt, which is quite an accomplishment, considering it has no plot.”
“I can’t tell what’s funnier here, the random violence against women, or Lyle being a gay basher. Either way: comedy gold!”
“The Delta Force is so brazen in its jingoism, so earnest in its desire to entertain, and so unencumbered by aesthetic taste or good judgment that you can’t help but admire it.”
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