Just-announced spinoff Bad Dads joins a growing list of raunchy comedies following the Mad Libs-esque Bad ________ titling convention, riding the dubious coattails of Bad Moms, Bad Santa, Bad Teacher, and Bad Grandpa. What else is coming?
Moon Zero Two comes in for a landing outside Farside Five. Oh man, I’m sooooo looking forward to this. I hope Farside Five has lots of strips with dogs, those are the funniest.
I’m not one to judge people for falling under the sway of merchandising-based nostalgia (I had He-Man and the Masters of the Universe bed sheets as a kid, so I get it). However, I can’t help but feel that this renewed obsession with trying to make Star Wars the epicenter of popular culture again is in some way unhealthy.
Regardless of any personal misgivings I may have with Disney’s remake enterprise, even the worst ideas can be turned into good movies. So in the unlikely event that Jon Favreau may be reading this, here are five steps I would recommend him to take to make his Lion King roar.
Join us for the first in a (hopefully) regular feature on the Agony Booth where we make snap judgments about the box office chances of upcoming movies based solely on watching the trailers, including Gone Girl on a Train, The Birth of a Nation, Jack Reacher 2, and more.
But while I think there are many commonalities, it’s the differences that, to my mind, make Jaylah a far superior character to Rey. So, you may ask, what are these differences? Let’s compare, shall we?
Need a little something extra to spice up Jane Austen’s classic novel Pride and Prejudice? Or perhaps you’d love to see some of the characters eaten by zombies after a bad experience in English Lit 101?…
It may not be one of the best film posters ever designed, but there’s no denying its eloquence: Surrounded by green leaves and thick roots, a severed human hand lies on the ground. In the grip of its bloody fingers, an iPhone displays Twitter’s latest trends: #JungleGate, #ACTnowUN, #SocialJusticeForAll, #NativeLivesMatter, and #IndigenousLivesMatter…
When we last left our heroes (and at this point, I’m really stretching the definition of that word; seriously, Bill is a bit of a dick and Kaminski is little more than drunken comic relief, albeit his legal acumen and/or ability to baffle with bullshit has come in handy twice)…
It’s an experience I’m sure we’re all familiar with. It’s the middle of the night and you’ve just snuck out of your room for a quick snack. Everyone else is asleep, so you move carefully so as not to wake anyone up—yet every step you take is done in quick tippy-toe sprints, just so you don’t have to stay in the dark too long…
Why was this fairly modest mid-’80s comedy enough of a hit to be the auspicious start of so many creative careers? And how has it enjoyed such a lasting impact?
“But like its two predecessors, Beyond’s focus on being fun is at the expense of being something meaningful. It’s dumb fun, which more or less sums up the Trek reboot series.”
Hello, and welcome back to my Moon Zero Two extended recap. In case you’re new to the Booth, you can catch up by checking out the links to the first four parts here, here, here…
You’ll never recapture the magic of an old movie by imitating it. The story and style were products of their time. Let them go. Only characters are timeless. That’s why we’ll still be lining up to watch Bruce Wayne battle the Joker on the big screen 20 years from now, but any attempt to recreate The Dark Knight is destined to suck.
Maybe I’m being too generous, but I think in light of the context that Suicide Squad was made in, it did the best it could with what it had, but really, it was capable of so much more.
“I’m not sure if the network executives understood the irony of making their 100th ‘original’ TV movie a remake of a largely successful film, but I guess since kids today have never heard of Elisabeth Shue or even know anything about the 1980s, it counts as an ‘original’ idea.”
“…By which I mean the greatness rests in the first one and half of Reloaded. Matrix: Revolutions contains 0% greatness, 40% stupidity, and 60% boredom.”
“This film basically states that criminals’ rights are often at the expense of the rights of those who have been victimized. This allows viewers such as yours truly to look at Dirty Harry as something of a modern-day Man With No Name.”
“It dangles the possibility of an extreme group taking over and placing anyone of certain ethnicities, religions, sexual orientation, and immigrant status into concentration camps which, thanks to the current presidential election cycle, doesn’t seem that farfetched at the moment.”
“Mockingjay – Part 2 is the last Hunger Games film you’ll ever have to watch, so if you’ve got the last three under your belt already, then you may as well finish it out with this film.”