Softcore queen Misty Mundae stars as Patricia Porker, a shy high school girl who gets bitten by a genetically engineered spider and becomes an oversexed, crime-fighting superhero. The Porn Critic explains why SpiderBabe is a total piece of shit, with absolutely no talent or creativity going into the making of it.
Sofie and Ursa (er, I mean Holmes and Watson…) take on Guy Ritchie’s second great Holmesian blockbuster, A Game of Shadows: now with even more explosions, fighting, cross-dressing, and really blue slo-mo!
After returning from a bit of a hiatus, the Cinema Slob returns to find his apartment crawling with pests (voiced by fellow Agony Booth reviewers Joey Tedesco and Mr. Mendo)! He bugs out and reviews Joe’s Apartment, the first movie from MTV Films. Does this creepy crawly comedy still have wings? Or does it deserve to be squashed?
A brief review of The Reward, a wordless 2D animated short from Denmark where two boys must travel together on an epic quest for treasure. Also: a follow-up on last week’s Oscars.
Count Jackula and Horror Guru get an unexpected visitor while reviewing Mama, starring Jessica Chastain, and produced by Guillermo del Toro.
This entry in the Harry Potter series was critically acclaimed and liked by just about everyone. Alas, the Suspect has a slightly different opinion.
Johnny reviews the cult classic Z-grade slasher Sleepaway Camp! There’s a serial killer picking off campers one by one, and nothing (besides copious amounts of alcohol) will prepare you for the ending. On the plus side, there’s lots of hot pants and Daisy Dukes on display. On the minus side, they’re mostly worn by the guys.
This episode, Sofie is joined by Joey Tedesco to discuss a show they both hate with a passion: the 2012 animated series Ultimate Spider-Man, which has nothing to do with Marvel’s line of Ultimate comics, or its regular comics, or anything Spider-Man related for that matter.
If you’ve seen the first House of the Dead, you know it’s a terrible movie. This movie, on the other hand, is not. House of the Dead 2 is a sequel in name only, and it blows the first movie away.
In this episode, we take nearly one hour to look at the beloved live-action/animation hybrid Who Framed Roger Rabbit! We’ll cover everything from the inception of the original novel, to the years it took to get to the big screen, the century-old techniques used to bring the story to life, and the film’s expansive 2-disc DVD set.
In this schlocky horror film, Hilary Swank travels to the Louisiana bayou to investigate a series of events that seem to resemble the ten plagues as described in the Book of Exodus, and gets stalked by AnnaSophia Robb, who might be devil spawn.
Yes, Baby Geniuses, widely considered one of the worst movies of all time, has not one, but two sequels, each worse than the last. In the third installment, the Crown Jewels have been stolen from the Tower of London, and it’s up to the baby geniuses to travel to Europe (specifically, GreenScreenLand) and use their secret baby language to recover them.
Planet Baab’s most admired astronaut Scorch Supernova is sent on a mission to a a notoriously dangerous planet, in an animated film that even fails at pop culture references. Enough said.
A geeky Ryan Phillippe (see his glasses?) goes to work for an evil software company that is totally not Microsoft, run by a murderous CEO played by Tim Robbins who is totally not channeling Bill Gates. Sexy nerd boys, product placement, scenery chewing, and Linux: what more could you want in a film?
In his Agony Booth debut, Il Neige takes a look at the fantasy adventure Eragon, a film based on a book written by a kid, for kids. It’s the Kidz Bop of Fantasy Literature!
Phil looks at three documentaries you’ll want to see: Dear Zachary, The Aristocrats and Beauty Is Embarrassing.
It’s Batman vs. Batman when the Animated Heroine compares Batman: Mask of the Phantasm to Batman Beyond: Return of the Joker!
The sequel to the 1984 Stephen King adaptation, Children of the Corn II: The Final Sacrifice is a solid and enjoyable little horror flick. Even more so than the first movie, this sequel set the tone for the franchise that followed.
Prepare yourself for GoreGasm, hosted by a disturbed puppet named Barnabus! Just in time to be late for Valentine’s Day, Barnabus riffs on a sick masterpiece by Takashi Miike, the Japanese director famous for his disgustingly violent films. Isn’t it just so romantic?
It’s the Oscar-nominated short film that played in front of Wreck-It Ralph, where Disney discovers a new and innovative way to make traditional animation: with computers.