History time, kids! Once upon a time, in a magical land of wealth and opportunity commonly known as the US of A lived a humble country lawyer named Huey P. Long. The nation had just emerged as one of the victors of a bloody World War and was going through an exciting period of technological progress and prosperity, blissfully unaware of the looming Wall Street crash and the ensuing Great Depression.
Category: Movie Review
I was left with the realization that beyond all the “clever” dialogue and manic pace, Sherlock simply is not as good as people think. In fact, Zero Effect did it better in every way.
Even if I could joke, the chilling Cold War nuclear specter evoked by The Dead Zone has put me off it for now. I find it hard to be jocular while thinking about the fact that in several weeks, an irascible simpleton will have control over the largest nuclear arsenal on the planet.
In this episode, the Horror Guru reviews Brain Damage, written/directed by Frank Henenlotter and starring Rick Hearst, Gordon MacDonald, Jennifer Lowry, and John Zacherle.
Let’s get down to business… to perform our designated gender role. HUH!
Cecil takes a look at the MST3k favorite insane Christmas movie from 1959, Santa Claus, directed by René Cardona.
Lex Luthor is a rather unique example in this series of Movies that Predicted Trump, in that he actually is based on Trump.
Count Jackula rails against Rankin/Bass’s ‘Twas The Night Before Christmas.
Maybe Trump watched A Face in the Crowd at some point and took that lesson to heart, or maybe he just genuinely returns the love of his audience in a way that Lonesome Rhodes was too cynical and self-aware to be capable of.
Feeling like the end of days is coming? Or perhaps you’re just hoping they are? If so, you might enjoy The 5th Wave, which takes viewers on a post-apocalyptic trip involving aliens, child soldiers, and teenage love triangles.
Rogue One takes a different approach, and is both a prequel and an interquel, taking place between Episodes III and IV (immediately before Episode IV, as it eventually turns out) and details how the Rebellion managed to get hold of the Death Star plans that served as the MacGuffin of the original film.
A whole year ago, the world was treated to the release of Star Wars: The Force Awakens, the first live-action Star Wars movie in over a decade. I sat down to write my review of that film way back then and… nothing. Blank. Couldn’t write it.
Thirty years ago, horror master Stephen King created one of pop culture’s scariest clowns in his terrifying 1986 novel It, and in this episode, David revisits the original 1990 made-for-TV miniseries that has since become a cult classic, and briefly discusses the development of the brand new remake coming in 2017.
Bob Roberts is a film that could never be made today. This is the kind of stock phrase you see applied to anything made more than a decade ago, usually as a segue into a rant about how much more sensitive our modern society is. Whether this is an indictment of modernity or lambasting an ignorant past is up to whoever’s writing the article, but that’s not the reason Bob Roberts could never be made today…
Here’s a requested review that’s zany to the max!
Breaking all rules of political etiquette, a candidate starts behaving outrageously, offending sensibilities with outlandish racially-tinged comments and unhinged acts of buffoonery. Sounds familiar, right? Except the year is not 2015 or 2016 but 1996, and the man in question is a fictional liberal Democrat named Jay Billington Bulworth.
For such a “smart” sci-fi film, Arrival sure hangs its hat on a tenuous understanding of a scientific theory (which it then proceeds to sloppily misapply) in exactly the same way as a stupid sci-fi film would.
After a two-movie hiatus, Jean-Claude Van Damme returns to the Universal Soldier series.
Welcome to the first in a series of reviews we’re calling Movies that Predicted Trump, where we discuss the films that foretold (in ways both large and small) the election of Donald J. Trump as President of the United States.
This episode, Ursa tackles an entirely forgettable Will Smith comedy vehicle and asks: is there such a thing as an ethical pickup artist? And if not, why not?