Babies are notorious show killers, so let’s hope we won’t be seeing much of her. Then again, if Americans have learned anything from Downton Abbey, it’s that British children are not meant to be seen or heard, except except maybe for an obligatory ten minute period every other week, between tea and supper.
Author: Marion Stein
Welcome to Carrie in Brooklyn: She’s a single mom raising a cute ginger-tot in brownstone Brooklyn. How can she afford a Brooklyn brownstone? How do any television characters afford their fabulous New York apartments?
Sherlock’s back, and on New Year’s Day, so maybe it’s a sign of better things to come in 2017. What have the boys been up to?
TV has asked us to identify with a lot of antiheroes—mob bosses, teachers turned drug kingpins, Soviet-era spies who kill sweet old ladies—but embracing genocidal war criminals feels like a bridge too far.
Welcome to the series finale (looks like, maybe, unless there’s divine intervention or an email campaign) of The Exorcist – a television show that despite being very prettily filmed and classy, never grabbed a big enough audience. We might autopsy it later, but for now the recap.
We shouldn’t have to wait until the penultimate episode for the fun to begin, but sometimes a series has to find its groove. Chapter 9 aka 162 is the scariest, most action packed, enjoyable, and surprising episode of The Exorcist so far.
We start where we left off. Beautiful but dumb Father Tomas has brought the family Rance, plus faded movie star Chris MacNeil, over to the Convent of the Chosen Nuns to say good-bye to Casey before she can be belladonna-ed by Mother Bernadette…
We open with Tomas conducting mass. St Anthony’s looks spruced up, so maybe not all of Maria Walter’s devil-money went for the search. There’s a big poster of Casey. Uh-oh. Is this a memorial? Probably not, unless we’re going the possessed zombie route…
Young Regan MacNeil and her mom the movie star are on a talk show. We can tell it’s the ’70’s by Regan’s groovy shag haircut. Young Regan looks like Linda Blair, and Chris looks nothing at all like Sharon Gless, but a lot like Ellen Burstyn…
When a series tells you publicly and explicitly that it is not a sequel to something else, but then it turns out to be totally a sequel, is that a twist or a cheat?
This week opens with Casey dreaming. You can tell it’s a dream and not a flashback because even before the weird stuff starts, there’s cowboy polka music playing, which no teen would ever tolerate even to be ironic.
Here comes the sine qua non of horror tropes: teenage lust. In this case, girl on girl, because that’s now a TV requirement.
The creepy homeless guy is henceforth referred to as “the schizophrenic”, because priests are such brilliant diagnosticians and there’s nothing offensive about referring to people by their illness because look at all those lepers in the Bible.
Time to check the Diagnostic and Statistical Manual of Demonic Disorders IV to see if lack of appetite is a symptom. It is!
Narcos is back with a different showrunner, one who seems to be trying to dismantle a lot of what came before—even stuff that worked.
Chances are, if you grew up during The Wonder Years (whether the actual time the series was set in or watching it), then you also remember Murder She Wrote and Sunday nights when the whole family could gather around ye olde television set without embarrassment because this was before Sundays were for mafia kingpins or meth labs or bipolar CIA agents who made bad choices…
The feds capture an illegal, but will his insides turn to mush before he talks? Someone is looking for Philip. Oleg makes a decision that breaks Tatiana’s heart. Arkday gets some bad news. And Paige makes out with Matt.
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Philip shares a childhood memory with Paige. Oleg thinks Tatiana should try new things. Yung Hee can’t figure out what’s wrong with Don. Gabriel makes friends with a librarian. Gaad gets unexpected visitors. Pastor Tim runs out of gas.